A matter of innocence

Etel_Adnan_TheShapeoftheMountain_TheParisReview_GP_2240_PinkWhale_RBG

I’ve been doing a bit of research on my new hero, Etel Adnan. One good source has been, believe it or not, Pinterest. I get to see/pin my favorite photos of her work and keep them for further viewing.

In addition, my research led me to an article by Negar Azimi in the Wall Street Journal on Why the Art World Has Fallen for 90-Year-Old Etel Adnan.

The article has some pithy quotes from Adnan. About her process, which verges on the existential, she says: “Once I put down a color, I never cover it up. If you are born a musician, why become a banker?”

and describing her current successes, the WSJ says:

The fact that artistic renown has descended upon a nonagenarian woman who paints tiny abstractions and writes poetry and prose of quiet force and complexity might seem like a historical accident. Today’s contemporary art market, after all, places a premium on large, shiny, expensive objects. Adnan’s work is the anti-Ozymandias—a corrective to exuberant art-world bling. There is none of the bravado or self-regarding mythologizing of other artists of her stature. And yet, invitations stream in daily for exhibitions, collaborations and symposia. “I am happy it didn’t happen any sooner,” Adnan says of all the attention, adding, “It’s ironic, isn’t it, at a time when I can’t really use the money.”

The claim is that she has defied the current climate of exuberant, large abstraction and kept a steady hand at creating paintings about a quiet, contemplative inner world, small in scale, big in that important inner dimension, allowing introspection and contemplation, along with an intense visual excitement.

Distilled down to the essence of her appeal, Adnan says it clearly:

“I always had a few people who liked what I did, and that was enough,” says Adnan, with a wry smile. “I do think I’ve kept my innocence.”

In addition to Adnan’s work, what I have found on Pinterest has been interesting, educational. There is a lot of good abstract painting being posted. I’ve found it challenging in that I think maybe I should be working like that, with lots of loose linear elements extending over the entire canvas. It looks good, enticing, but then when I get into my studio and try it, I realize I just can’t do that. I really do need a large amount of quiet space, a resting place to balance the active expressive marks that are needing more and more of my painting’s energy. I just cannot give it all away; I have to keep some protected space. And above all, my own personal integrity and ideally, innocence.

Advertisements

About leyaevelyn

About thirty years ago, I moved from New York City to rural Nova Scotia. For an artist, it is a good place to live. Spacious and quiet. Despite the beautiful scenery and frequently grey skies, my abstract paintings focus on color, its expressive qualities and how it creates form and space.
This entry was posted in Art and tagged , , , , , . Bookmark the permalink.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s